Information
- Website:
- http://
Following (Random 9)
Black Science and the Dark Arts.
Haizhen Wang - Fall 2013 - LFW
(Source: missing-light)
It’s the second day of the Paris Air Show, and the sun is brutal. Most people gathered outside have their heads tilted skyward, where fighter jets and World War II-era cargo planes take turns performing stunts both balletic and violent. But along the outskirts of the sprawling Le Bourget complex, the focus is more earthbound.
Bar Coati, Ladeira da Misericórdia, Salvador, 1987. View this on the map
Pe† Ceme†ery - Water’s EdgePe† Ceme†ery recently unveiled a beautiful work in progress entitled “Water’s Edge” and though it’s a demo at this point, it has the foundation of something wonderful. Garage-y beats plus melancholy melodies all blend into something aurally pretty and emotionally moving.My personal favorite part is towards the end of the song where things get a bit violent. The contrast of beauty and violence within one piece is always a striking technique and one I wish I heard more often in electronic music.One of the most interesting things about Pe† Ceme†ery’s music is the variation of styles and genres he works with; almost every song I’ve heard from him contains new elements and experimentations.SARA SPLITOPEN
Jealous Gold just blogged about me… AAAAAHHHHH
‘North (Uncut)’ by yori
More gorgeous ethereal pop from yori. UNF.
Download full res wallpaper here http://desktopography.net/exhibition/2012/beta_of_barsoom #graphic #design #2013 #desktopography #3d #c4d #cinema4d #beta (at DEFEAT Studio HQ)
Building an Abolitionist Trans & Queer Movement with Everything We’ve Got
from Captive Genders (eds. Stanley and Smith) (2011) by Morgan Bassichis, Alex Lee, and Dean Spade.
Fighting for liberty in Turkey.
===
If we ever get to the post-apocalyptic era, I hope everyone dresses like this. Hot damn.
NEED
I have reblogged these before but I still like them. Especially bottom left.
(Source: ajoylesseuphoria)
One of future’s children.
(Source: zuge)
M.I.A. / Bring The Noize
“Elegance Road” is a photo series by Belgian photographer Alexandre Van Enst that captures the non-conformist style and dandy attitudes of a Kinshasa-based fashion and lifestyle SAPE collective.
The African Society of Elegant People, the “SAPE” was born in the years after the independences of Congo-Brazzaville and Zaire.
Today there are two major schools of “SAPE”, respectively inspired by the French and Japanese aristocracy. They clash with high fashion brands, millimetered steps and gestures, from Paris to Kinshasa, during parades in honor of their founding masters, or simply at the Mass of Sunday.
Codified art of sham, glamor and “hast thou seen” for some, for others the SAPE is a metaphysic, a special relation with the question of being and appearance. Sassy, narcissistic and rebellious, the “sapeur” is a romantic.
“Elegance Road” showcases these heroes of modern times. In the decadent sceneries of the city of Kinshasa, from Lemba to Bandal through Ndjili, Matete and Limete, the “sapeurs” of the “War of hundred years” defy the power in place: the Leopards.
Led by the great masters such as Tshikose, Sesele and Kadhitoza, the Congolese dandies constantly reinvent themselves to shine.
